INTIMITÉS

proposé par Yves Chatap (curateur independant)

MALALA ANDRIALAVIDRAZANA / ISMAIL BAHRI STEEVE BAURRAS / N'KRUMAH LAWSON DAKU DIMITRI FAGBOHOUN / AUDREY PHIBEL

N'KRUMAH LAWSON DAKU: Série <TRANSFERT> 2010intimites

N'KRUMAH LAWSON DAKU Série <TRANSFERT> 2010intimites

N'KRUMAH LAWSON DAKU Série <TRANSFERT> 2010intimites

N'KRUMAH LAWSON DAKU Série <TRANSFERT> 2010intimites

N'KRUMAH LAWSON DAKU Série <TRANSFERT> 2010intimites

N'KRUMAH LAWSON DAKU Série <TRANSFERT> 2010intimites

STEEVE BAURRAS: Série <OVERLEAF(zugwang 4)> 2010 - 2011intimites

STEEVE BAURRAS: Série <OVERLEAF(zugwang 4)> 2010 - 2011intimites

STEEVE BAURRAS: Série <OVERLEAF(zugwang 4)> 2010 - 2011intimites

STEEVE BAURRAS: Série <OVERLEAF(zugwang 4)> 2010 - 2011intimites

MALALA ANDRIALAVIDRAZANA: Série <INSOMNIA> 2010intimites

MALALA ANDRIALAVIDRAZANA: Série <INSOMNIA> 2010intimites

MALALA ANDRIALAVIDRAZANA: Série <INSOMNIA> 2010intimites

MALALA ANDRIALAVIDRAZANA: Série <INSOMNIA> 2010intimites

AUDREY PHIBEL: <ALL ROADS LEAD TO./2> Performance, Treignac 2011intimites

AUDREY PHIBEL: <ALL ROADS LEAD TO./2> Performance, Treignac 2011intimites

DIMITRI FAGBOHOUN: Video <INSECURE> 2010intimites

DIMITRI FAGBOHOUN: Video <INSECURE> 2010intimites

DIMITRI FAGBOHO: Video <INSECURE> 2010intimites

ISMAIL BAHRI: Video <ORIENTATIONS> 2010intimites

ISMAIL BAHRI: Video <ORIENTATIONS> 2010intimites

AUDREY PHIBEL: <ALL ROADS LEAD TO./2> Performance, Treignac 2011

intimitesintimitesintimites

intimitesintimitesintimites

In the photographic image, transformed by the ruptures of contemporary video, there is a revelation of the complexities of an unfixable, oscillating self-identity. This ‘identity revealed by its images’ is explored through the works of six international artists whose work dissects and traverses the opposing worlds thrown up by the photographers gaze.

The exhibition functions on this swing between private and public, self and other, central and peripheral, and places it at the heart of any consideration of film or photography. The notion of a plural reality that epitomises the core revelation of film, rests on this fluctuation between the fixing and splintering times of film. Film-Time with its edited wholeness, disguises its fragmented and fragmenting heart at the same time that it crystallises its subject for its audience.

With thanks to CAROLINE HANCOCK / VUS D'AFRIQUE / ON THE ROOF
MALALA ANDRIALAVIDRAZANA is represented by Galerie Baudoin Lebon, Paris.

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